
Originally Posted by
reckless toboggan
I was a certified tech working in shops for a decade.
I worked in shops to help pay for my skiing since I was 15. I also coached for 4 years.
Coach also worked at the shop (he got me the job), he was meticulous about our gear. We tuned and checked binders before every race.
They were set correctly.
Also, I agree, setting look turntables forward pressure tighter than spec (I'm not talking about the tab here) does make them ski like salomons...which is a hudge detriment.
There are several look setup threads here on TGR which explain how to set them up to spec. Use them, then back off 1 click on each arm. You won't pre-release, no-release release, or release in an unwanted fashion. You'll actually be able to feel the ski flexing more freely underfoot. That's the beauty of the pivots. Don't make them ski like sallys.
More forward pressure means your heel piece is pushing your toe piece through release MORE often, with LESS elasticity (not to mention creating a hudge dead spot in the flex of the ski under your boot). So if your forward pressure is really cranked up like you say, then you're the one who's not set up correctly. With look, because of the arc the heel goes through to get out of the way when the ski is flexing (kind of like a mini-telemark binding in this regard), they are actually less sensitive to lower forward pressure setting than salomon are. ie. Low ffwd pressure looks will ski, low ffwd pressure sally will fall off as they rely solely on the ffwd pressure spring.
With sallys, aggressive skiers who know how to work a ski would benefit from a stiffer (or at least a faster rebound) forward pressure spring.
With sallys, if the ski flexes at all, the heel piece has to back up into the ffwd pressure spring to accommodate the boot sole length which stays the same, while the space between the bindings is trying to get shorter. With every flex and rebound of the ski, the ffwd pressure spring has an opportunity to leave a small gap between the boot and binding upon returning to home position. A faster rebound spring would help this, but not eliminate it.
With look, the binding heel arcs upwards, keeping the space the same to accommodate the boot, allowing the ski to flex freely without relying on a spring. Because it relies on the arc of the binding, and not on a spring, you don't have the threat of too slow a rebound in the spring. The binding always moves where the boot moves. When you run out of this arc path, then you back up into the smaller amount of fore/aft float in the base of the heel piece. After you go through that, then you release. Again, this is following an actual turntable setup (not the tab), then backing off one click.
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