The latest Warren Miller ski movie, Higher Ground, opened on Friday, October 7. This movie is billed as the 56th annual Warren Miller film. The start of the film, however marked a bittersweet moment, as Warren Miller announced that he had decided after the end of the 55th season that he was retired from touring with the movie. This marks the end of a tradition started in 1949, when Warren would narrate the film live. It was, of course, inevitable, but it means…well it means if you didn’t see him last year, you’ll be one year older when you don’t see him next year.
At 81, it is remarkable enough that he was able to continue his incredible career for the 55 years that he spent each fall bringing his notable blend of humor and history to the generations of fans that have marked his movies as a tradition.
Warren’s retirement was not a sudden decision made at 80 however. He began a transition out of the movie business 14 years ago when he sold his movie company to his son Kurt Miller. He continued to write the script for the movies and to narrate them, although he turned over the filming, editing and creative decisions at that time.
Now, in addition to ending his touring career, Warren has also retired from the scriptwriting that made the movies so famous. He shared narration responsibility this year with Olympic freestyle skier Jeremy Bloom. In reality, Warren narrated a scant few lines in this season’s film
Kurt Miller and later Time-Warner (the current owner of Warren Miller Entertainment) generated some criticism as the Warren Miller movies of the past 14 years became more formulaic and commercialized. Their corporate attempts to recreate the formula that made the movies so popular has left them hollow in comparison to the older films that Warren himself created.
This season’s film suffers a similar fate. Any viewer that has seen recent Warren Miller Entertainment films will be able to predict much of the sequence. This film differs in a few significant ways, and not to its improvement.
Jeremy Bloom’s narration is bland. That alone would be a step down from other Warren Miller films, but the filmmakers decided that more narration would be better; to the point of drudgery. Some snippets of Warren’s voice and short segments by other narrators intervene, but with little relief.
The overt commercialization of past Warren Miller films not only continues, but reaches a nadir never seen before. Halfway through the film, it feels as though an entire days has been wasted watching infomercials for Obermeyer, Mike Wiegle and Nature Valley granola bars. In the past, the product placement has been a slightly annoying insert to the action – now it has simply replaced the action.
Speaking of the action - - well, there isn’t much. It hurts to watch talented skiers, indeed many of the top skiers in the industry, in vanilla shot after vanilla shot. Compared to the action found in many of the ski films produced by Teton Gravity Research, Matchstick Productions or the many independent film companies, the action is this movie almost appears to have been intentionally downplayed – as though the filmmakers wanted to emphasize that anyone can come to Heavenly and ski just like Jessica Sobolowski or Glen Plake. Segments shot in Aspen and Vail were particularly tedious, as though vanilla weren’t bland enough and had to be toned down.
Jaw dropping action is rare in the film until the filming moves to Engelberg, Switzerland for Seth Morrison and Shane McConkey. There, near the end of the film the action begins to move, moving on to a decent park segment at Copper Mountain. The film then jumps to a return of “wingsuit parachuting”, then on to an anti-climactic finish with Jeremy Bloom.
It is unfortunate that the filmmakers for Time-Warner are far more interested in turning a buck than making a decent ski movie. For my money, they would be better off re-issuing the early Warren Miller movie collection and letting other, more talented filmmakers continue the fall tradition of ski movies started by the master in his earlier day.
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