The light was really good but it’s been processed with nik color efex some.
fresh dusting on the Wasatch
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Spring sun finally finds it's way into Robe Canyon. Greenery on the canyon walls marks winter's high water line
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A couple from the Ultra4 race a few weekends ago
Would highly recommend going to one of their races if you have the opportunity. The amateur classes were ok... the pros, on a whole different level.
Those machines are nuts.
Little beach time this week.
Captiva Island, Florida by Phil Herbert, on Flickr
'To quote my bro
"We're not K2. We're a bunch of maggots running one press at full steam building killer fukkin skis and putting smiles on our friends' faces." ' - skifishbum '08
"Adios Hugh you asshole" - Ghostofcarl '14
believe...
Damn BaNosser, that last shot is $$$.
took me ~10 years to get down to Bryce. pretty visually insane down that way
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^awesome shot
Wow, the last three shots in this thread are so good.
^^^Nice! Mind sharing exposure info on that?
ISO 400 F/9 1/1250 18mm
https://flic.kr/p/27b1qaH
Don't ask why, I was kind of in a hurry and ended up having to pull a lot of shadow out since the light was really contrasty at the lip. Technically, I'd say this photo was terribly executed but it turned out really well.
Such is the case on the river trying to rip stuff out of a dry bag with water dripping off of your elbow pads and helmet and still trying to get a picture. Typically I'll go with shutter priority on something like 1/1250 or 1/1000, auto ISO, try to get the auto focus spot on and let the camera do the work and fix it later in PP. Whitewater really fools the light meter too.
Rad shot either way. The right place at the right time is more important than being technically perfect. Especially these days.
Could you get away with the sunny 16 rule most of the time? If my meter is going nuts that’s usually what I default to if I have to hurry.
I’m just trying to learn. When I see a photo that resonates with me I’m always curious how you got there.
Supermoon, what is the sunny 16 rule?
Sent from my iPhone using TGR Forums
On a sunny day, the proper exposure is always f16 with your shutter speed equal to your film speed. So for example, if you are shooting at ISO 400, your SS is 1/400.
If you can do the maths (which i rarely can), you can calculate it out for any aperture/ISO/SS combo. So f8 would equal 1/800 at ISO 400.
I don’t think I ever shoot f/16... most lenses are sharpest around f/8 to f/11.
The important thing with action shots is to be able to freeze the action... everything else is kind of secondary, I think.
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