Originally Posted by huckasoreass
Damn, Su Pu, you must know that scene pretty well to pull out that kind of trivia. We'll see you at the premiere in San Fran next fall? Hmm, big boy?
And Trackhead, you're just right. We're all a bit jaded these days. I agree that we've probably had too many heli/sunset/jib shots per movie the past few years, but does anyone get criticized for doing the same heli big mountain kind of shot year after year? Are people tired of on-slope shots because you see them over and over? How about pow shots, where the snow is flowing over the shoulders with every turn. God, we've seen it a thousand times, year after year, all in the exact slow-motion frame rate.
What it comes down to is this: have you seen any film capture a booter with better filming, in more beautiful light than these MSP shots that people would rather criticize? No. What are we supposed to do, shoot mid-day, from the ground, with crap on the lens? No, you try to capture what's happening in the most incredible manner possible. If you're going to gripe about that, well, yes, you're jaded and an unappreciative whiner. If you dig it, cool. We want to set ourselves apart with our cinematography, and I think ours is far and away the best in the snowsports industry. I intend to put together a film this year that most people will be really stoked on. I'd like people to say it's the best ski film ever. The one guarantee? Not everyone will love it.