It seems like a lot of the guys they're hiring to get these drone shots are more interested in showing the capabilities of the drone by getting crazy high speed swoopy shots, and less interested in getting stable footage that's actually beneficial to the viewer. This has been an issue with almost every bike and ski edit I've seen that uses drones for anything more than b-roll.
The drones really open the door for some nice shots without the expense of a helicopter, but it seems like it's gonna take another year or two before the operators figure out that the drone doesn't need to be flying all over the place at a million miles an hour to get good footage.