Originally Posted by Skiing 2008, cont
***
It’s three hours before I’m scheduled to meet up with the Snowbird assault team, and I’m sitting in my hotel room having a minor panic attack. I just got off the phone with the Orchestrator. Apparently prank historian Dusty—my only contact until I was on the ground at Snowbird—has unwittingly played his own trick on me. He never told the Orchestrator I’d be tagging along with the crew tonight, and the man with the plan is not happy to hear there will be a reporter present.
On the phone, the Orchestrator tells me he’s not comfortable with the “limelight” and that the prank is usually something just between patrollers. The Snowbird prank isn’t veiled in secrecy, so much as it’s covered by a lead apron of paranoid confidentiality. In short, he doesn’t want an outsider there. He’s also uncomfortable with the fact that a photographer is planning to shoot the entire episode, even though the guy assigned to take pictures is Little Cottonwood legend Scott Markewitz, a longtime friend of Snowbird ski patrol.
After some pleading, he begrudgingly agrees to let us come, but only because Dusty promised access. “Don’t worry,” the Orchestrator tells me. “I’ll be sure to yell at Dusty later.” He says he’ll call in a few hours with specifics about the rendezvous point. I give him my number, but part of me doubts that he’s actually writing it down.
Three hours pass and I still haven’t heard from the Orchestrator. It’ll be dark out soon. I decide to give him one last call. My Hail Mary. The phone rings. The Orchestrator picks up. He tells me to come by around eight and then gives me directions to his apartment at the Hilton (Snowbird’s employee housing and not a swank hotel). “There are no unit numbers, so just walk along until you hear a dog growling behind the door,” he says. I can’t help but think this is all just a big joke on me.
But soon Markewitz and I are standing outside his place. The Orchestrator opens the door, and immediately says to Markewitz, an old friend of his, “Can you vouch for this guy?” He points his thumb at me.
“Yeah, I can vouch for him,” Markewitz says.
“All right. I was worried he’s some spy sent over here from Alta.”
I’m not entirely sure if the Orchestrator is joking or not. Something tells me he’s not. One by one, Lady Dynamite, La Grenouille, Kent, and Josh—a mix of newbie patrollers and wizened, mustachioed vets—slowly trickle into the Orchestrator’s apartment. Josh shows up with a canvas bag of wrenches and drill bits. The signs are in his truck. There’s not much time now. All capering needs to be done before Red, Alta’s Coke-bottle-glasses-wearing night security guard, takes his post.
The Orchestrator gathers his team in the kitchen for a briefing. “All right, we’ll be working in two teams of two, one team on each side of the signs,” he begins. While the patrollers discuss their plan of attack, I thumb through a fake Snowbird employee newsletter (Alta’s 1989 prank on the ’Bird) that the Orchestrator has dug out of an old drawer. Flipping through pages with stories about a daring descent of a sledding hill and a phony job-site safety video, I come across multiple references to someone named Patrolman Fog. I ask the Orchestrator about it and he begins to tell me the story of Patrolman Fog’s long good-bye.
Patrollers don’t like standing around policing closed runs. But Patroller Fog never minded. Mainly because he was a mannequin, dressed as a ski patroller, planted on the edge of Snowbird’s off-limits glades to deter poachers. One day, Dusty, the Orchestrator, and others gave Patrolman Fog working legs and a pair of Rossignol skis. On April 1, 1988, the Orchestrator hauled Fog to the top of Alta’s Mount Baldy, belayed him into its main chute, and cut the rope. He actually skied for the first 200 feet before tomahawking into a nasty, realistic-looking cartwheel. When Alta was about to fire up its rescue helicopter, Dusty told them it wasn’t a real skier. Patrolman Fog spent the rest of his days getting buried in simulated avalanches at Alta.
***
With the assault squad foiled by the snooping Alta patroller Lea, Objective A—swapping out the Goldminer’s Daughter sign—will have to wait till later. We’re forced to move on to the heart of Alta’s defenses, its Guns of Navarone: the Albion Base sign, soon to be Snowbird Entry Six.
“Did Josh get a chance to turn around the security camera at the Albion sign?” the Orchestrator asks on the drive to the next sign.
“I guess we’ll find out,” Kent the wheelman says, turning off his headlights as we approach the next target.
When we get out of the truck, we discover that Josh hasn’t disabled the security camera. But there are no signs of Lea or the night watchman Red, so the team goes to work. Two patrollers on each side, just as planned. The drills make an ungodly squealing sound as the bolts strain against the metal sign. Surely someone will hear this. Next comes the hammering. This will bend the backs of the bolts, so the only way to remove the signs will be with a blowtorch. In five minutes, the work is done. Time to return to Objective A.
We drive back to the Goldminer’s Daughter sign, watching for lurking sentries. Alta must’ve known Snowbird was up to something. Pre-prank intelligence reported that someone saw the Orchestrator measuring the Alta signs a few days ago. They probably saw him holding up color swatches trying to get the exact shade of cobalt blue. But it’s past 10 p.m. now and Red is one of the few people still awake at Alta. And he’s nowhere in sight.
More noisy drilling, more hammering. Markewitz keeps snapping pictures and I’m sure his flash will alert the enemy. Standing 30 feet away, I anxiously keep watch, my head on a swivel looking for oncoming bogeys. Five minutes pass, and the mission is complete. Snowbird entrances Five and Six have been established.
Back at the Orchestrator’s place, the assault team goes in for a group hug, then the Orchestrator hands out a few cold foamers to celebrate. Josh takes a swig, but something is amiss. He crinkles his nose and looks down at the brown bottle. It’s ginseng soda. The Orchestrator offers an earnest apology, but I’m still wondering if this is all part of the prank.
The next morning, April Fools’ Day, I meet up with Dusty and a few of the culprits on the patrol-only 8 a.m. tram, hoping to see what—if anything—Alta did overnight.
We’re heading to the Hidden Peak hut and the patrollers are all atwitter. Several of them are recounting the time that Alta snuck over and released thousands of crickets into the patrol shack via an external air duct. ’Bird patrollers sucked most of the crickets up using a Shop-Vac, but they forgot to empty the vacuum. It stank up all of patrol HQ.
The tram rocks to a stop at the top of Hidden Peak. We unload and the first patrollers nervously unlock the door. I follow close behind, expecting the place to be full of livestock or blow-up dolls. But it’s not. The patrolmen poke around. Still nothing.
“That’s Sleepy Town for ya,” Dusty says, using Snowbird’s pet name for Alta. “Tough as nails, slow as snails.” But the day is still young. A senior patroller begins the morning briefing about avalanche conditions, then the patrollers are let loose on the mountain.
As they police the hill they’ll keep looking for signs of Alta’s meddling. Maybe a midmountain lodge will be covered with a banner proclaiming Snowbird’s inferiority. Or maybe all their rescue toboggans are filled with Jell-O. They’ll keep looking for an Alta prank—secretly hoping the tradition lives on—and maybe, eventually, they’ll find it.
– SKIING MAGAZINE, DECEMBER 2008