The Cure is not emo. Not goth. They get put in that camp which is fine. To me, The Cure is like an existential form of The Blues. Deep psychological conflict put to music that somehow makes you feel good...much like The Blues. I've been going to Cure shows since 1981 when they were playing bars. It's refreshing to know that SOB (and Spook) hates them. Is SOB just afraid of the dark? I'd hate the shows to turn into a tattooed mutilated freak show of SOB's which they are not. The goth thing has run its course anyway and the appeal is so broad based it is really remarkable. Here's an article from The American Spectator lastmonth which is a bastion of SOB's conservatism:
http://spectator.org/articles/59032/...ars-cures-best
Twenty-five years ago today, The Cure released the greatest album of the last quarter century.
Haunting, dark, ethereal, Disintegration paradoxically plays the opposite to all that in spots over its unforgettable 72 minutes. The opening notes of first track “Plainsong,” for instance, hopefully suggest some sonic brave new world. Disintegration’s success, along with REM’s Green and Out of Time, surely ushered in a brave new sound for a staid FM band.
Here's a clip from the Bottlerock show that I particularly like. They cut the PA and the crowd takes over. It was just a great show because the enthusiasm of the crowd just keeps growing because the band delivers for the full 2.5 hours. I love Robert.. Heh..
http://www.youtube.com/watch?v=m8SXp35Y_vA
And for good measure, because I know Spook and SOB really hate this one:
http://www.youtube.com/watch?v=odjWmxL2bhI
I'm still stoked about this show. Emotional and moving. See them in Chicago or Denver later this summer.